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A Year of Creativity : 52 Smart Ideas for Boosting Creativity, Innovation and Inspiration at Work
A Year of Creativity demystifies what it means to be creative, showing how all of us need to exercise our creativity muscles if we are to meet the challenges of an uncertain world.If you want to win at work, efficiency is not enough, strategy is not enough, and analysis is not enough.We live in times of increasing complexity and ambiguity; even businesses that have themselves been major disruptors fear major new disruption themselves.In response, leaders are battening down the hatches: the more uncertain the world, the more they retreat into stale, established patterns of behaviour. This is a big mistake. The only way to secure competitive advantage is to ensure that creative thinking is driving your organization.It will enable workplace satisfaction, boost performance, and encourage new ideas throughout teams.To tackle our uncertain environment - and to win in the world of future business - we all need to get serious about creativity and the potential it can unleash. The authors of Belonging have now written A Year of Creativity, which will make creativity accessible to everyone.In 52 lessons, it explores how to be creative (either individually or in groups and teams), how to nurture creativity, and how - as a result - to redefine yourself and your career.
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Splendour & Fantasy: The North German Organ Tradition
Many composers, from the North Sea to the Baltic, celebrated the great richness of this instrument: his homonym Hieronymus Praetorius, Dietrich Buxtehude, but also Tunder, Weckmann, Leyding, Druckenmüller, Hanff and Bruhns, helped to build up a dedicated repertoire, thus giving rise, between the 16th and 18th Centuries, to a true North German organ tradition. This programme was recorded in Dübendorf, Switzerland, on an organ built by Bernhardt Edskes. Dirk Trüten pays a vibrant tribute here to a heritage that was to inspire J. S. Bach, amongst others, and which reveals the beauty of this fascinating instrument.
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Echoes of Surrealism : Challenging Socialist Realism in East German Literature, 1945–1990
For many artists and intellectuals in East Germany, daily life had an undeniably surreal aspect, from the numbing repetition of Communist Party jargon to the fear and paranoia engendered by the Stasi.Echoes of Surrealism surveys the ways in which a sense of the surreal infused literature and art across the lifespan of the GDR, focusing on individual authors, visual artists, directors, musicians, and other figures who have employed surrealist techniques in their work.It provides a new framework for understanding East German culture, exploring aesthetic practices that offered an alternative to rigid government policies and questioned and confronted the status quo.
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The Jewish Imperial Imagination : Leo Baeck and German-Jewish Thought
Leo Baeck (1873–1956) was a rabbi, public intellectual, and the official leader of German Jewry during the Holocaust.The Jewish Imperial Imagination shows the myriad ways in which the German imperial enterprise left its imprint on his religious and political thought, and on modern Judaism more generally.This book is the first to explore Baeck's religious thought as political, and situate it within the imperial context of the period which is often ignored in discussions of modern Jewish thought.Baeck's work during the Holocaust is analysed in-depth, drawing on unpublished manuscripts written in Nazi Germany and in the Theresienstadt Ghetto.In the process Yaniv Feller raises new questions about the nature of Jewish missionizing and the German-Jewish imagination of the East as a space for colonisation.He thus develops the concept of the 'Jewish imperial imagination', moving beyond a simple dichotomy of ascribing to or resisting hegemonic narratives.
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Fantasy or imagination?
Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.
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What is the difference between creativity and imagination?
Creativity is the ability to bring something new into existence, whether it be a product, idea, or solution. It involves the process of generating original and valuable ideas. Imagination, on the other hand, is the ability to form mental images, sensations, and concepts that are not present in one's immediate surroundings. It is the capacity to visualize and conceptualize things that may not exist in reality. In essence, creativity involves the application of imagination to produce something tangible and valuable.
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How can one develop visual imagination or creativity?
One can develop visual imagination or creativity by practicing observation and mindfulness. Taking the time to really see and appreciate the world around us can help to develop a deeper understanding of visual elements and how they can be used creatively. Engaging in activities such as drawing, painting, photography, or even just doodling can also help to exercise and expand visual imagination. Additionally, seeking inspiration from other artists and exposing oneself to a variety of visual stimuli can help to spark creativity and imagination.
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What does the German expression mean?
The German expression "Zeitgeist" translates to "spirit of the time" in English. It refers to the prevailing attitudes, beliefs, and cultural values of a particular period in history. It encompasses the intellectual, cultural, and moral climate of a society at a specific point in time. The term is often used to describe the collective consciousness and mood of a society, reflecting the social, political, and artistic trends of the era.
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Charlie Fantasy Girls 1976 German vinyl LP 2460280
CHARLIE Fantasy Girls (1976 German 10-track LP fully laminated picture sleeve with lyric inner. The sleeve has a deletion hole and shows some signs of wear & the vinyl is Excellent with only minor signs of play)
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Paradox (Rock) Product Of Imagination - Shrink 1987 German vinyl LP RR9593
PARADOX Product Of Imagination (1987 German 10-track vinyl LP the debut album from the German metal band lyric printed inner and glossy picture sleeve. This example remains in the original open shrink with a vintage shop price sticker belowthe shrink therefore displays minimal wear and the vinyl remains excellent with only light signs of play RR9593) A1 Opening ThemeA2 ParadoxA3 Death Scream And PainA4 Product Of ImaginationA5 Continuation Of InvasionB1 MysteryB2 Kill That BeastB3 Pray To The Godz Of WrathB4 Beyond SpaceB5 Wotan II
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Paradox (Rock) Product Of Imagination - EX 1987 German vinyl LP RR9593
PARADOX (ROCK) Product Of Imagination (1987 German 10-track vinyl LP the debut album from the German metal band lyric printed inner and glossy picture sleeve. The sleeve has some light shelf wear whilst the vinyl displays some light scuffs with no real impact on play RR9593)
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German Fighter Aircraft in World War I : Design, Construction and Innovation
Fighter aircraft were developed by during World War I at an unprecedented rate, as nascent air forces sought to achieve and maintain air supremacy.German manufacturers innovated at top speed, while constantly scrutinizing the development of new enemy aircraft.The Germans also utilized the concept of systematic production or modular engineering during the war—Fokker capitalized on this aspect with all his aircraft built in a similar fashion—wooden wings with welded steel fuselages.This meant that they could be disassembled or reassembled quickly in the field—unlike many Allied aircraft.Pfalz and Albatros were the first to realize the importance of a streamlined fuselage—the precursor to all that would follow.Both of these companies built semi-monocoque fuselages using plywood to develop semi-stressed skin—the Allies had nothing like this.The Germans also perfect powerful inline engines, as exemplified by the Albatros fighters.These engines did not have the gyroscopic effect of the rotary engines and as such were easier and more stable to fly.Fokker was slow to give up his rotary engines but once he did, the result was the iconic Fokker D VII—years ahead of its time and the only aircraft specifically mentioned in the Treaty of Versailles that Germany could not build after the war. German Fighter Aircraft in World War I explores how German fighter aircraft were developed during the war, the innovations and trials that made the Fokker D VII possible, and the different makes and types of aircraft.Using unpublished images including photographs of surviving aircraft, archive images, and models and replicas, it shows details of aircraft that were kept top secret during the war.Extensively illustrated with 140 photos and ten color profiles, this is will be essential reading for all WWI aviation enthusiasts and modellers.
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What are fantasy products in German?
Fantasy products in German are referred to as "Fantasieprodukte." These are products that are not based on reality or existing in the physical world, but are instead products of imagination and creativity. They can include items such as magical potions, mythical creatures, or other imaginative and fictional creations. Fantasy products are often found in literature, movies, and other forms of entertainment that explore imaginary worlds and concepts.
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Is there a similar expression in German?
Yes, there is a similar expression in German. The equivalent phrase is "Der Apfel fällt nicht weit vom Stamm," which translates to "The apple doesn't fall far from the tree" in English. This expression is used to convey the idea that children often share similar characteristics or traits with their parents.
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What is the expression "to bluff" in German?
The expression "to bluff" in German is "bluffen." It means to deceive or mislead someone by making them believe something that is not true, usually in order to gain an advantage. Bluffing is often used in games like poker, where players may pretend to have a better hand than they actually do in order to make their opponents fold.
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What are expression errors in the German exam?
Expression errors in the German exam refer to mistakes made in the use of language, such as grammar, vocabulary, and sentence structure. These errors can include using the wrong verb tense, misusing prepositions, or using incorrect word order. Expression errors can affect the overall clarity and coherence of the written or spoken German language and can result in a lower score on the exam. It is important for students to practice and improve their language skills to minimize expression errors in the German exam.
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